Actress Andrea Riseborough caused a veritable sensation in her native Britain during the 2000s, with a succession of remarkable portrayals (character and lead roles) that resisted typecasting through their stunning diversity. A native of Newcastle-Upon-Tyne, Riseborough left school at age 17 and resisted the idea of attending university at first, but ultimately enrolled at London's legendary Royal Academy of Dramatic Art (RADA), where she began to specialize in playing virginal innocents. The homogeneity of those assignments was reportedly frustrating for the blossoming thespian, though she had the epiphany that "all virgins are different," and began to excel by locating the psychological and dramatic uniqueness (the core) of each new character. The ability to do so helped the upstart secure a highly regarded agent by her third year at RADA. Following graduation, the then-ingenue spent time waitressing, directed a succession of short films, launched a greeting-card firm, and took Cantonese language lessons, but soon found herself magnetically drawn back to acting. In that sphere, two remarkable tendencies emerged: a chameleon-like ability to ada
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